Signs of Life: ![]()
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Readings on Popular Culture
College Writing I --Sections
26, 30
Dr. Nancy Barta-Smith
Office: 312Q Spotts World Culture Bldg
Office Hours: TR 1-2:30; W3-5
Phone: (412) 738-2360
E-mail: nancy.barta-smith@sru.edu
· Maasick,
Sonia and Jack Solomon. eds. Signs Of Life In
The USA: Readings On Popular Culture For Writers.
2nd ed. Boston: Bedford Books, 1997
· A
folder or three-ring binder for submitting your portfolio
· Two
formatted high density (hd) computer discs which you should bring
with you to class (one for your projects and one for e-mail).
Group Website and Narrative Project
You will earn credit for your work in College Writing I when it is ready for final assessment and depending on the level of commitment you are willing or able to make to our class. Be sure to note that you need not only to complete work, but to earn credit on it (CR). You should reread the contract grading guidelines below throughout our semester's work to assess your progress. To earn credit the work must at least show evidence of a process and be edited to meet standard conventions of English usage. I, along with your peers, will be commenting on your work and giving you suggestions for revision as you develop your ideas. Do not be discouraged if you do not earn credit immediately. It is one of the myths of English Studies that good writing springs forth like Athena from the head of Zeus. The birth of an idea requires gestation, during which the idea is nourished and your various points are "wired up" like our neural pathways! Your writing is a process of thinking. We never know what we think until we've had a chance to see what we say. Many of your problems as a writer may have occurred because you handed in a draft for final assessment. The keys to success are starting early and working progressively in consultation with others. Open any book and you will see an acknowledgements page in which formal and informal readers of early versions are thanked for their help. I encourage you to set up a conference with readers at the Writing Center (301 SWC) or come to see me to discuss revisions of your work.
A, B, and C grades are available to you in College Writing I. They build on each other so that each successive grade assumes the others as a baseline, as explained below.
To Earn aC
1. Please participate fully in daily activities and
attend your scheduled conferences.
2. Be sure to turn in typed, written
assignments (including drafts) on time as announced, so that I
have time to read and return your work before the revision date.
3. Remember to hand in your final portfolio
and double check your project against your table of contents and
the guidlines for what to include, as follows:
a. Four Problem-Solving Papers which have
received credit, along with all drafts and readers' responses..
b. All in-class and homework writing
completed in addition to the problem-solving papers.
c. A mid-term and self assessment letter.
To Earn a B
1. Please participate fully
in daily activities and attend your scheduled conferences.
2. Be sure to turn in
typed, written assignments (including drafts) on time as
announced, so that I have time to read and return your work
before the revision date.
3. Meet with me in conference to plan an
additional revision beyond the earned credit.
Your revision may integrate two completed
papers or approach your previous idea in a different way.
4. Remember to hand
in your final portfolio and double check each project against
your table of contents and the guidlines for what to include, as
follows:.
a. Four Problem-Solving Papers which have
received credit, along with all drafts, and readers' responses.
b. All in-class and homework writing
completed in addition to the problem-solving papers.
c. A mid-term and final self assessment
letter.
d. Your additional revision beyond the credit
requirement.
To Earn an A
Peer Response Sheets
You will respond to many pieces of writing
during the semester. Response sheets received for your own work
should be kept in your portfolio and used when you revise. At the
end of the semester, organize responses received on your own
writing so they appear with your drafts and final work of each
project.
Short Response Writings
As we work to dialogue with the readings and with each other, you
may be asked to write during class or as a homework assignment.
This material will be part of the thinking out of the final work
for the unit and should be kept in the portfolio..
E-mail Discussions
You will participate in e-mail discussions in
addition to our on-going classroom conversations. The e-mail
discussions may include conversations with students in other
classes. In particular, Dr. DiMarco and I
have worked together to develop this course.
I will make every effort to keep
our class actively student centered, since recent research shows
that you will remember more for longer periods of time (and be
able to use it!) if you engage your learning in applying it,
rather than "being taught." For a classroom to be
student centered, you have to be present and active. I will work
to facilitate and orchestrate, but you will "play the
music." Remember that your participation in all daily work
and all activities is necessary for passing the course.
Periodically we will talk about how actively we are engaged in
our discussions and what can be done to ensure the full
participation of each of us.
Because of the importance of attendance to your
learning and the success of our joint work, if you miss more than
one week of class without a formal medical excuse, your final
grade will be lowered for each additional absence.
Another reason not to miss class is that changes to the syllabus
and regarding dates for assignments may be made, depending on the
pace of our reading, the intensity of our discussions, or the
necessity to adjust timelines for other reasons. If you are
absent, please be sure that you take the initiative to find out
what happened and inquire about new developments. Doing
so is one of the ways you show that you understand what is meant
by student-centered learning.
Please bring your textbook, folder or binder, and
discs to class, along with any work you have been asked to
prepare for that day.
Unit 1 -
Images in Advertising Patricia
J. Williams, The Fiction of Truth in Advertising (Signs
137) Gloria Steinem,
Sex, Lies, and Advertising (Signs
155) Portfolio of
Advertisements (178)
Unit 2 -
Images in American Film, Music, TV & Video
Gary Engle, What Makes Superman So
Darned American? (Signs
344) Michael Parenti,
Class and Virtue (Signs
318) Tania Modleski,
Dead White Male Heterosexual Poets Society (Signs
314) bell hooks,
Madonna: Plantation Mistress or Soul Sister? (Signs
223)
Unit 3 -
Cultural Outlaws: Street Gangs, Militias, and Hackers in American
Culture Julie Gannon
Shoop, Image of Fear: Minority Teens Allege Bias in
Gang Profiling ( Signs
592) Peter Doskoch,
The Mind of the Militias (Signs 611)
Winn Schwartau, Hackers: The First
Information Warriors (Signs
618)
Unit 4 -
Virtual Culture Mark
Slouka, Reality Is Death: The Spirit of
Cyberspace (Signs
706) Sherry Turkle,
Who Am We? (Signs
730) LynNell Hancock,
The Haves and the Have-Nots (Signs
748)
Introduction
Unit 1 - Images in Advertising
Base Group Preparation for Problem-Solving #1
Base Group Discussion & of Ads/Magazines
Peer Response Day #1 (Draft of Problem-Solving Paper #1 Due)
Unit 2 - Images in American Film, Music, TV, & Video Friday
Base Group Preparation for Problem-Solving #2 Monday
Peer Response Day #2 (Draft of Problem-Solving #2 Due)
Student-Instructor Conference Week
Bring your mid-term self-evaluation letter.
Unit 3 - Cultural Outlaws: Street Gangs, Militias, and Hackers in American Culture
Deadline for revising Paper #1 & Paper #2 for CR
Base Group Preparation for Problem-Solving #3
Peer Response Day #3 (Draft of Problem-Solving #3 Due)
Base Group Preparation for Problem-Solving #4
Peer Response Day #4 (Draft of Problem-Solving #4 Due) ** Deadline for revising Paper #3 for CR
NO CLASS, Thanksgiving
Problem-Solving Paper #4 Due & Putting
Together The Portfolio
Planning Conferences Problem-Solving
Paper #4 Returned
Peer Response Day #5
Comments to Dr. Nancy Barta-Smith
This page has been accessed times since August 31, 1997
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