Signs of Life:

 

Readings on Popular Culture

College Writing I --Sections 26, 30

Dr. Nancy Barta-Smith
Office: 312Q Spotts World Culture Bldg
Office Hours: TR 1-2:30; W3-5
Phone: (412) 738-2360
E-mail: nancy.barta-smith@sru.edu


Our Working Materials

· Maasick, Sonia and Jack Solomon. eds. Signs Of Life In The USA: Readings On Popular Culture For Writers. 2nd ed. Boston: Bedford Books, 1997
· A folder or three-ring binder for submitting your portfolio
· Two formatted high density (hd) computer discs which you should bring with you to class (one for your projects and one for e-mail).

Group Website and Narrative Project

Listserv Rules of the Road

List of Lists

WebPage Template

Animated gifs

ClipArt Collection

Background Archive


A Brief Description of College Writing I

College Writing I offers you the opportunity to further develop the writing skills you will need in college life and beyond. It is the first course in a two-course sequence required at SRU. You will practice strategies for invention (brainstorming), arrangement (rhetorical modes), revision (rethinking and/or expanding) and editing (meeting current standards of American English while employing principles of good communication). You will also learn how good writers are attentive to audience and purpose.


My Goals for You during our Semester Working Together


Your Writing Portfolio

Your writing portfolio is the collection of materials that you will assemble for assessment of your achievements in College Writing I. It will show your process and your finished work. Arrange your portfolio with an eye to your audience and purpose. I will appreciate your efforts to find an effective, appealing, and logical arrangment of your draft work and completed projects. I encourage you to have high expectations of yourself. Nothing will give me more pleasure than seeing you succeed in meeting and exceeding your aspirations. . A table of contents at the beginning of your portfolio and a series of dividers should signal your arrangement. You can develop the portfolio gradually if you make a practice of orderly arrangment and bring your portfolio to conferences.


We Will Use a Grading Contract for Assessment

You will earn credit for your work in College Writing I when it is ready for final assessment and depending on the level of commitment you are willing or able to make to our class. Be sure to note that you need not only to complete work, but to earn credit on it (CR). You should reread the contract grading guidelines below throughout our semester's work to assess your progress. To earn credit the work must at least show evidence of a process and be edited to meet standard conventions of English usage. I, along with your peers, will be commenting on your work and giving you suggestions for revision as you develop your ideas. Do not be discouraged if you do not earn credit immediately. It is one of the myths of English Studies that good writing springs forth like Athena from the head of Zeus. The birth of an idea requires gestation, during which the idea is nourished and your various points are "wired up" like our neural pathways! Your writing is a process of thinking. We never know what we think until we've had a chance to see what we say. Many of your problems as a writer may have occurred because you handed in a draft for final assessment. The keys to success are starting early and working progressively in consultation with others. Open any book and you will see an acknowledgements page in which formal and informal readers of early versions are thanked for their help. I encourage you to set up a conference with readers at the Writing Center (301 SWC) or come to see me to discuss revisions of your work.

When you receive credit on an assignment, your paper will be given a "CR." You will have the satisfaction of knowing you have successfully completed part of the final portfolio.


Descriptions of Possible Grades

A, B, and C grades are available to you in College Writing I. They build on each other so that each successive grade assumes the others as a baseline, as explained below.

To Earn a“C”

1. Please participate fully in daily activities and attend your scheduled conferences.
2. Be sure to turn in typed, written assignments (including drafts) on time as announced, so that I have time to read and return your work before the revision date.
3. Remember to hand in your final portfolio and double check your project against your table of contents and the guidlines for what to include, as follows:
a. Four Problem-Solving Papers which have received credit, along with all drafts and readers' responses..
b. All in-class and homework writing completed in addition to the problem-solving papers.
c. A mid-term and self assessment letter.

To Earn a “B”

1. Please participate fully in daily activities and attend your scheduled conferences.
2. Be sure to turn in typed, written assignments (including drafts) on time as announced, so that I have time to read and return your work before the revision date.
3. Meet with me in conference to plan an additional revision beyond the earned credit. Your revision may integrate two completed papers or approach your previous idea in a different way.
4
. Remember to hand in your final portfolio and double check each project against your table of contents and the guidlines for what to include, as follows:.
a. Four Problem-Solving Papers which have received credit, along with all drafts, and readers' responses.
b. All in-class and homework writing completed in addition to the problem-solving papers.
c. A mid-term and final self assessment letter.
d. Your additional revision beyond the credit requirement.

To Earn an “A”

The portfolio requirements for an “A” in our course are the same in quantity as the requirements for a “B.” An "A" portfolio is different qualitatively, however. It shows special excellence in material, organization, expression, or appropriateness for audience and purpose. I urge you to consider "excellence" in editing as a minimum standard of acceptability for all of your finished work, since correctness is not the most important feature of your work, yet no workplace you will ever inhabit will knowingly send your documents out if they do not meet current standards of usage and correctness in every respect.


Your Writing Assignments

Problem-Solving Papers
You will carry four problem-solving paper through the process of inventing, drafting, revising, and editing. These papers will be shaped by the units we will read in Signs and will be distributed throughout the semester.

Peer Response Sheets
You
will respond to many pieces of writing during the semester. Response sheets received for your own work should be kept in your portfolio and used when you revise. At the end of the semester, organize responses received on your own writing so they appear with your drafts and final work of each project.

Reflections on Your Writing
Each time you ask me to assess a problem-solving paper for credit, you should include a brief analytical reflection on how it is organized and why it has taken this shape. You can also mention how it has benefited from the responses of your readers, your main points, and what you like best about it.

Short Response Writings
As we work to dialogue with the readings and with each other, you may be asked to write during class or as a homework assignment. This material will be part of the thinking out of the final work for the unit and should be kept in the portfolio.
.

E-mail Discussions
You will participate in e-mail
discussions in addition to our on-going classroom conversations. The e-mail discussions may include conversations with students in other classes. In particular, Dr. DiMarco and I have worked together to develop this course.


A Word about Participation

I will make every effort to keep our class actively student centered, since recent research shows that you will remember more for longer periods of time (and be able to use it!) if you engage your learning in applying it, rather than "being taught." For a classroom to be student centered, you have to be present and active. I will work to facilitate and orchestrate, but you will "play the music." Remember that your participation in all daily work and all activities is necessary for passing the course. Periodically we will talk about how actively we are engaged in our discussions and what can be done to ensure the full participation of each of us.

Attendance Policy

Because of the importance of attendance to your learning and the success of our joint work, if you miss more than one week of class without a formal medical excuse, your final grade will be lowered for each additional absence. Another reason not to miss class is that changes to the syllabus and regarding dates for assignments may be made, depending on the pace of our reading, the intensity of our discussions, or the necessity to adjust timelines for other reasons. If you are absent, please be sure that you take the initiative to find out what happened and inquire about new developments. Doing so is one of the ways you show that you understand what is meant by student-centered learning.


What You Need to Bring to Class

Please bring your textbook, folder or binder, and discs to class, along with any work you have been asked to prepare for that day.


What We'll Read from Signs Of Life

Introduction (Signs 1)

Unit 1 - Images in Advertising Patricia J. Williams, “The Fiction of Truth in Advertising” (Signs 137) Gloria Steinem, “Sex, Lies, and Advertising” (Signs 155) Portfolio of Advertisements (178)

Unit 2 - Images in American Film, Music, TV & Video Gary Engle, “What Makes Superman So Darned American?” (Signs 344) Michael Parenti, “Class and Virtue” (Signs 318) Tania Modleski, “Dead White Male Heterosexual Poets Society” (Signs 314) bell hooks, “Madonna: Plantation Mistress or Soul Sister?” (Signs 223)

Unit 3 - Cultural Outlaws: Street Gangs, Militias, and Hackers in American Culture Julie Gannon Shoop, “Image of Fear: Minority Teens Allege Bias in ‘Gang Profiling’” ( Signs 592) Peter Doskoch, “The Mind of the Militias” (Signs 611) Winn Schwartau, “Hackers: The First Information Warriors” (Signs 618)

Unit 4 - Virtual Culture Mark Slouka, “‘Reality Is Death’: The Spirit of Cyberspace” (Signs 706) Sherry Turkle, “Who Am We?” (Signs 730) LynNell Hancock, “The Haves and the Have-Nots” (Signs 748)


Some Important Dates

Introduction
Unit 1 - Images in Advertising

Base Group Preparation for Problem-Solving #1

Base Group Discussion & of Ads/Magazines

Peer Response Day #1 (Draft of Problem-Solving Paper #1 Due)

Problem-Solving Paper #1 Due

Unit 2 - Images in American Film, Music, TV, & Video Friday

Base Group Preparation for Problem-Solving #2 Monday

Base Group Discussion

Peer Response Day #2 (Draft of Problem-Solving #2 Due)

Problem-Solving Paper #2 Due

Student-Instructor Conference Week

Bring your mid-term self-evaluation letter.


Unit 3 - Cultural Outlaws: Street Gangs, Militias, and Hackers in American Culture

Deadline for revising Paper #1 & Paper #2 for CR

Base Group Preparation for Problem-Solving #3

Base Group Discussion

Peer Response Day #3 (Draft of Problem-Solving #3 Due)

Problem-Solving #3 Due

Unit 4 - Virtual Culture

Base Group Preparation for Problem-Solving #4

Base Group Discussion

Peer Response Day #4 (Draft of Problem-Solving #4 Due) ** Deadline for revising Paper #3 for CR

NO CLASS, Thanksgiving
Problem-Solving Paper #4 Due & Putting Together The Portfolio

Planning Conferences

Planning Conferences

Planning Conferences day

Planning Conferences Problem-Solving Paper #4 Returned
Peer Response Day #5

Portfolios Due In-Class

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Comments to Dr. Nancy Barta-Smith

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